Gears of War Pro Circuit
Campaign content built for the Gears of War Pro Circuit.
PRODUCTION GEAR
ARRI ALEXA 35 • ARRI Signature Primes • DJI Ronin 2 • Easyrig Vario 5 • DJI Inspire 3 • Aputure LS 600d Pro • Astera Titan Tubes • Tiffen Black Pro-Mist filters • PolarPro BaseCamp matte box
SERVICES
Short Form Strategy, Scripted Reels, Motion Graphics, Founder-Led Content, Editing Templates
POST-PRODUCTION
After Effects, Premiere Pro, Figma
TIMELINE
4 weeks
THE BRIEF, THE BUILD, THE PAYOFF.
The winter collection was designed for changeable conditions, not expeditions staged for advertising. We needed cold, scale and movement without pretending the wearer was conquering a mountain before breakfast.
The campaign followed a traveller moving north as the environment gradually opened—from enclosed station light to exposed roads and a wide, wind-cut landscape. The shift gave the garments a reason to adapt while keeping the performance grounded.
Crisp wides established distance, while intimate portrait and fabric shots held warmth in the skin and materials. We used wind as direction: hems lifted, breath caught the light, and hands naturally found pockets, closures and collars.
Weather continuity was planned by scene rather than by clock, giving the crew freedom to move when cloud and snow changed. The grade protected neutral product colour while letting the landscape become increasingly spare and blue.
The hero film became the centre of a modular launch package: retail loops, moving lookbook moments, paid-social cutdowns and quiet product clips. Each version kept the same composed character, so the campaign could travel from a large in-store display to a six-second vertical frame without losing its atmosphere.
The clothes feel premium, but the traveller still feels real. That shift from station light to open landscape is exactly the story we wanted.
More Stories. More Frames.
PREVIOUS
Next
